For whatever reason I picture a 1930’s southern gentleman in a straw hat with patent leather shoes and rolled up khaki pants when I smell this. This fragrance is so unisex. The vetiver and leather arelike a manly tonic that play perfectly against the carnation and iris. And then there’s pineapple. Really though, if I had to pick a note that shines I’d say instantly, without hesitation that it’s pineapple. Sweet, juicy, delightful, authentic and vintage pineapple! Lovely!

Top notes: pineapple and ylang-ylang. Middle notes: carnation, iris, oak, vetiver and opoponax. Base notes: leather and musk.

Nose: Henri Almeras


Lilac! Green (galbanum), fresh, sublime and totally elegant lilac (Jean Patou 1936). I am in love with this fragrance. It’s a woody lilac too. It’s just fantastic. 😍 With a somewhat delicate and perfectly paired musk at the base. This is now at the top of my list for a larger bottle.

Top notes: hyacinth and hawthorn. Heart: lilac, mimosa, and galbanum. Base: musk.

Nose: Henri Almeras


This beauty (Jean Patou 1935) opens with an exquisite orange blossom and neroli. They’re slightly green and very creamy, gentle and pleasant. But then, as it continues, all the warm, richly hued carnation, jasmine and musk emerge. Actually, it’s one of the most noticeable progressions I’ve encountered and it’s lovely. Also, Normandie has one of my favorite notes: styrax. 😍 It would be easy to draw a comparison between this and Arpège, but intriguingly this feels much more dated and distinctly early Twentieth Century than Arpège, in my opinion and that is not necessarily a bad thing at all. It reminds me of when I used to go on explorations at my grandmother’s in her weave loom room, or in rooms with forgotten closets. Sometimes you’d find very old things that seemed familiar none-the-less, like an iconic pillbox hat or a classic pair of white gloves. But then occasionally you’d unearth something that required an open mind and a historical decoder. And when you held those pieces of the past in your hand you felt an enormous connection to a time long ago. Normandie is that sort of talisman.

Top notes: neroli and ylang-ylang. Middle notes: orange blossom, rose, orris root, jasmine, vetiver, styrax and carnation. Base notes: moss, vanilla

and musk.

Nose: Henri Almeras

Divine Folie

When I first smelled this one my reaction was, “Wow.” 😶 I’m not sure if reincarnation is possible but if it is I’d bet I wore this (and a few others) in a past life… I love this fragrance (Jean Patou 1933). How ironic the name is… The orris root is intoxicating in this one. It’s rainy, earthy, and sweet but very elegant and really just sublime. It blends magically with the musk and vanilla. I struggle to better describe this one… But I’ll also add that it’s one of the loveliest rose notes I’ve ever smelled and it’s a little reminiscent of Shalimar. There!

Top notes: neroli and ylang-ylang. Middle notes: orris root, jasmine, orange blossom, rose and vetiver. Base notes: musk and vanilla.

Nose: Henri Almeras


Fruity!! Oh my, how this one is fruity… But it’s in this delicate, sensual, honeysuckle sweet, jasmine-kissed, utterly vintage way. It’s very aptly named (Jean Patou 1930). Imagine the best, most talented bartender of the 1930’s mixing up a cocktail in Havana and you’ve almost got it… Again, it’s a cigarette smoke tinged fragrance, but its floral lightness and the way boozy yet still elegant lavender and petitgrain mix with a pleasant musk, amber and delightful oakmoss turn it into an olfactory party. Endearing, somewhat feminine and amazingly optimistic I quite like this (very vintage) scent.

Top notes: honeysuckle, petitgrain and lavender. Middle notes: hyacinth, rose, ylang-ylang, and jasmine. Base notes: amber, oakmoss and musk.

Nose: Henri Almeras


Shanghai (Lenthéric 1911 and 1936) is a sweet, beautifully powdery citrus at the opening. But there’s also a spicy, herbal quality. Neroli is glazed. Lavender and rose are very cheerful. And a gentle, amber tinged styrax plays very well with the aldehydes. Intriguingly it’s almost too sweet for a hot summer day but only almost as it’s reminiscent of Aqua Di Parma Colonia and it refuses to be saccharine. 

Top notes: aldehydes, bergamot, cinnamon, clove, and citronella.  Middle notes: carnation, jasmine, Bulgarian rose, geranium, and lavender.   Base notes: frankincense, cedarwood, tonka, vetiver, oak moss, myrrh, benzoin, amber, musk, and sandalwood

Secret of Venus 

Peach and cassis dominate lemon with other citrus notes and lavender lingering in the mild distance (Weil 1933).  Then zany florals (freesia and jasmine in particular on my skin) lilt in with a spicy, saucy abandon. And yet, the warm, grounded base of patchouli, a lovely sandalwood and a vanilla (with a bit of an attitude) create a sort of smoothness and harmony. All together it’s beyond gorgeous… It has the sarsaparilla sweetness and fizz of many old beauties but there’s an added verve, possibly aided by the florals that become more and more vintage and nostalgic as the drydown continues. 

Top notes: Amalfi lemon, cassis, peach, grapefruit, bergamot and lavender.  Middle notes: freesia, gardenia and jasmine.  Base notes: patchouli, sandalwood, cedar and vanilla.  


Blue like a lake on a sunny summer day, lavender, clary sage and lemon create a cool, crispness in Canoe (Dana 1936). Then warm florals mix with musk and patchouli bringing a buttery, doughy, almond sugar-like charm.  And the drydown is refined and elegant.  

Top notes are lavender, clary sage and lemon.  Middle notes are carnation, patchouli, bourbon geranium, cedar and cloves.  Base notes are tonka bean, vanilla, oakmoss, heliotrope and musk.

Nose: Jean Carles 

Notte Romana 

Notte Romana (Bosari 1870 1939) is one of the prettiest Bosari fragrances I’ve sampled yet… The white lily is lush, blossoming and marshmallow sweet, as are the other accompanying florals. And while this is listed as acquatic and ozonic on Fragrantica it’s also very vintage and so frothy with its sandalwood, vanilla, tonka bean and musk that I can wear it.  And I love it. 

Top notes: white lily, galbanum and iris.  Middle notes: rose, lotus, and lily-of-the-valley.  Base notes: sandalwood, musk, vanilla and tonka bean.  

Il Mio Sogno

With a powdery and soapy vintage beginning a bit like Je Reviens, Il Mio Sogno (Bosari 1870 1939) is dreamy, fresh and almost romantic.  Rosewood, neroli and orange blossom blend very well and an old perfumery rose, gardenia and vetiver are hard to miss.  Oakmoss and frankincense add warmth and depth.  This is one of the scents you want to breath in, slowly.  It’s almost a little reminiscent of vintage Bourjois fragrances like Mais Oui and Soir de Paris…   

Top notes:  coriander, rosewood, neroli, mandarin and bergamot.   Middle notes: orange blossom, muguet, rose, gardenia, and ylang ylang.  Base notes: oakmoss, frankincense and vetiver.