This flacon is perfectly matched to this fragrance. Pure Poison (Dior 2004), to my nose, truly is like a clear, effervescent version of the original Dior Poison. It’s as if all the mysterious, fruity warmth and subtle spice of the first has been washed out and what’s left is a shimmery substance with a remarkable resemblance.
Unfortunately, it’s not a fragrance that couples well with my skin chemistry due to something that reads as aquatic on my skin. However, it’s easy to see its beauty from the citrusy top notes to the cool floral heart with a unique gardenia to the equally chilled, woody base.
Top notes: bergamot, Sicilian mandarin, orange and jasmine. Middle notes: orange blossom and gardenia. Base notes: sandalwood, white amber and cedar.
Noses: Carlos Benaim, Dominique Ropion, and Olivier Polge.
At the start, bourbon vanilla adds saucy sugar to a very supple camelia (Krigler 2009). Matter of fact this pair is so vibrant, engaging and certain in their intentions that you can’t help but be carried away momentarily to a sunlit solarium or a perfect spring day outdoors. The noble flower is flanked by delicate musk, a particularly luxurious and well done note of pink pepper, and chilled, quiet cedar. Truly, you can almost smell each petal and it’s glorious. I love this fragrance, hope to acquire a bottle someday and heartily recommend it. It’s very well blended and it has a fresh, contemporary sensibility but the brilliant detail, quality and depth are from a different time.
Notes: camelia blossom, bourbon vanilla, musk, pink pepper, cardamom, cedar and Chinese tea.
Juniper mixes with citrus and jumps about (Hermès 2003). It’s a brew of thorny cypress and woody fig leaf. Even worn in the true chill of a November day in Minnesota there’s a supple, young and lush beauty – almost as if a honeyed floral sweetness (orange blossom) plays with the scattered fall leaves and brings buoyant delight with a promise of warm light. Into the drydown there’s subtle spice, and an cerulean charm… I like this one.
Top notes: bergamot, lemon and mandarin orange. Middle notes: orange blossom and white nerium oleander. Base notes: juniper, red cedar, musk, pistachio, fig leaf and cypress.
This scent makes me happy. While the notes certainly don’t seem … autumnal (i.e. mango, tomato, carrot and bulrush)… it perfectly suits my mood. And frankly the iris, lotus, peony and citrus (lemon, orange) along with the Hermès signature are what I smell most when I wear it (Hermès 2005). Actually it feels like a kind, friendly and relaxed citrus scent to my nose – the sort of citrus you wear on cold, gray days to be reminded of the sun. Politely reminded. I need to acquire this…
Top notes: grapefruit, green mango, carrot and tomato. Middle notes: orange, lotus, bulrush, hyacinth, and peony. Base notes: incense, musk, cinnamon, iris and labdanum.
Nose: Jean-Claude Ellena
Chanel Beige (Chanel 2008) is perfectly named. The image of beige colored Chanel shoes or handbags certainly come to mind with this beauty. Smooth, sweet, luminous and delightfully tangy frangipani and freesia create a fruity cocktail with honey and hawthorne. And, the effect is, as many have commented, reminiscent of honeydew melon. But it also reminds me of banana, pineapple and perhaps even pear. There’s a cerulean tinged green quality to it too. Very green. Matter of fact, it even reminds me a bit of vintage Estée Lauder Private Collection. I also am reminded of the tremendously popular cucumber melon combinations of the late 90’s. Still, it’s frothy, rich and so Chanel – irreplaceable and very pretty.
Notes: hawthorne, frangipani, honey and freesia.
Nose: Olivier Polge
When you first spray Gypsy Water (Byredo 2008) you have an olfactory experience similar to the unequaled refreshment of taking a long and cool drink of perfect water. And probably water with lemon. The best lemon. Of course.
Piny juniper and subtle pepper emerge afterwards. And then the warmth of the amber, vanilla and sandalwood meets the green chill of the citrus. The contrast feels modern and chic. Meanwhile a sugary incense adds allure and mystery.
Recently I’ve been paring down my collection because I need to add fragrances I love without overdoing it. This is not a scent I’ll be adding but it’s one I can’t help but appreciate.
Top notes: bergamot, lemon, pepper and juniper. Middle notes: incense, pine needles and orris root. Base notes: amber, vanilla and sandalwood.
Frangipani (Ormonde Jayne 2003) opens with a sugary, opulent note of lime. But it’s a lime of many layers. And it’s flanked by a flourish of sweet lily, orchid and lush plum. Rose and frangipani emerges carrying along amber with them. Yet still, the lime remains with its crisp, structured and light beauty, even into the sweet, spicy, vanillic cedar laden drydown. Really though, this scent is unique in that a 3D effect is created because it seems that it changes, giving emphasis to different notes, with each movement you make. It projects in a very fascinating way.
Top notes: lime blossom, lime and magnolia. Middle notes: plum, water lily, tuberose, rose, frangipani and water lily. Base notes: amber, vanilla, cedar, and musk.
Nose: Geza Schoen
Gin Fizz (Lubin 1955 & 2009) opens with one of the most lovely citrus openings I’ve ever encountered. The Sicilian Lemon mixes wonderfully with fresh juniper berry. It’s bright, fresh and yet perfectly sweet… And while rose and jasmine are present iris takes a very elegant and central place in this fragrance. Gin Fizz is green in a way slightly reminiscent of vintage Estée Lauder Private Collection – a fragrance supposedly worn by Grace Kelly, who inspired this Lubin gem. It’s rare that I buy current formulations, but this is one I’ll have to someday acquire!
Top notes: bergamot, Sicilian lemon, juniper berry, and Messina mandarin. Middle notes: iris, galbanum, orange blossom, rose absolute, and Turkish jasmine. Base notes: Florentine iris, vetiver, white musk, oak moss, swamp lily and benzoin.
Nose: Henri Giboulet
Vintage make-up chic rose mixes with myrrh, castoreum and resins to elevate sharp, punchy, balsamic citrus (Andy Tauer 2008). It’s airy but incredibly straightforward. And under the aromatic beauty lies an amber warmth. Woody rose… This Tauer is lovely.
Top notes: cardamom, clementine, bergamot and Bulgarian rose. Middle notes: castoreum and orris root. Base notes: myrrh, resins, incense, Texas cedar, labdanum, patchouli, and vetiver.
Nose: Andy Tauer
Spicy lily-of-the-valley and carnation are flanked by bright citrus notes (Alfred Sung 1986). Into the drydown a musky, amber vanillic warmth becomes ever more opulent. Other florals are green, dense and yet watery… It’s a very 80’s scent, and a pretty one.
My Grandma Adeline had a box of this and Giorgio Beverly Hills on her dresser in my early childhood. I remember always being curious and smelling it occasionally…
Top notes: lemon, bergamot, ylang ylang, hiacynth, galbanum, mandarin orange, and orange. Middle notes: carnation, iris, rose, orchid, lily-of-the-valley, rose, and osmanthus. Base notes: vanilla, amber, vetiver, oakmoss, musk, orange blossom and sandalwood.